This and this and this, and this now
A Solo Exhibition by Stella Ebner
April 18 – May 23, 2026
Opening Reception: Saturday April 18th, 6-8pm
Gallery Walkthrough: Saturday May 23, 2-3pm / RSVP here
For This and this and this, and this now, Stella Ebner creates a series of large-scale watercolor monotype prints and graphite drawings that examine their intrinsically intimate nature, exploring themes of intimacy, agency, interiority, and care. Her subjects are moments of human connection in both public and private spaces: a novel writing group, story time at the library, museum art handlers collaborating to install Seurat’s La Grande Jatte, a tailor fitting a suit on his customer. With these prints and drawings, she gives weight to and makes visible the often unacknowledged but profound moments of quiet connection that occur in everyday life. These moments reveal what brings us together and our fundamental human capacity for love, care, teaching, and learning.
Traditionally, prints and drawings have been considered small-scale and intimate works of art. With these works, she asks: ‘‘How can large scale prints and drawings be a vehicle for intimacy and what are the qualities of prints and drawings that make them intimate for the viewer?” Using scale, paneling, sequencing and time, she expands upon traditional print traditions, exploring how paneling can form composite, large-scale images and simultaneously retain moments of intimacy. Her use of scale asks the viewer to move physically “through” the prints and drawings to notice intimate details and then requires the viewer to step back to view the work as a whole. In this way, the images are now both intimate and monumental.
The title of the show This and this and this, and this now is sourced from the poem “Eleanor” by Marie Howe, 2014.
Stella Ebner received her BFA from the University of Minnesota and her MFA from the Rhode Island School of Design. Exhibitions of her work include: the Bronx Museum of Arts, Bronx, NY; Cade Tompkins Projects, Providence, RI; Field Projects, NYC, NY; International Print Center New York, NYC, NY; The Print Center, Philadelphia, PA; and Cleveland Museum of Art, Cleveland, OH. Ebner has held residencies at MI-LAB in Lake Kawaguchi, Japan, Tamarind Institute, Albuquerque, NM; the Lower East Side Printshop, NYC, NY; and Kala Art Institute, Berkeley, CA. Her work is in the collections of the Cleveland Museum of Art, Cleveland, OH; Minnesota Museum of American Art, St. Paul, MN; and Library of Congress Print Collection, Washington D.C.; among others. Ebner is an Associate Professor at Purchase College – SUNY in Purchase, NY and lives in Ossining, NY. She is represented by Cade Tompkins Projects in Providence, RI.
Next up:
Jeremiah Dine’s Generation Jones: A Yearbook
&
Carin Kulb Dangot’s Playground
June 6 – July 23, 2026
Opening Reception: June 6, 6-8pm
Generation Jones: A Yearbook
A solo exhibition of photographs from 1971 -1979 by Jeremiah Dine
Jeremiah Dine first learned basic photography in 1971 at a summer day camp in Putney Vermont. He was twelve years old, and soon was photographing all of the people around him, inadvertently documenting a micro-generation know as Generation Jones.* These portraits, captured during his teenage years, spanned from seventh grade through high school, a period of rapid change for anyone, and a particularly tumultuous era for individuals growing up in the 1970s.
“These include family, friends, schoolmates, girlfriends, enemies, nerds, jocks, hippies, stoners, punks, proto-punks, weirdos, people who are no longer with us, people I don’t remember, people I loved, people I still love. Everybody was young and beautiful, and as members of the yet unnamed Generation Jones, we had an innate pessimism based on our experience growing in in the Sixties, with its social upheaval, political unrest and general air of cynicism. We were carefree, ignored by our parents and blissfully
androgynous.” –Jeremiah Dine
He’s in love with rock’n’roll, whoa
He’s in love with gettin’ stoned, whoa
He’s in love with Janie Jones, whoa
He don’t like his boring job, no
-Janie Jones, The Clash, 1977
A zine, Generation Jones: A Yearbook, published by ROMAN NVMERALS (Catskill NY), will be available, with a book signing scheduled for Sunday, June 28.
*Generation Jones is the generation or social cohort between the baby boomers and Generation X. The term was coined in 1999 by American cultural commentator Jonathan Pontell, who has argued that the term refers to a full distinct generation born from 1954 to 1965. Williams, Jeffrey J. (March 31, 2014). “Not My Generation”. The Chronicle of Higher Education
Playground
A solo exhibition of works by Carin Kulb Dangot
Inaugural exhibition in Peep Space’s new small but mighty Back Room
Playground is a miniature world by Carin Kulb Dangot, where paint behaves in unexpected ways. Installed in Peep Space’s new Back Room, the sculptures made entirely of acrylic paint sit within a playfully constructed and intimate environment, echoing the improvisational nature of the work. Here, paint becomes the subject rather than the surface, taking on roles beyond color or image.
Peep Space 